ID:189 | Open in NocoDB | Type:Collage | Themes:6 | Attachments:3 | Finding:36 chars | Connections:0→0 | Location:52.512254331889174, -2.080680970500466 | Weather:None | Date:Thursday 24 February 2022 | Press 'D' to close

Dudley Time Portal

270 Castle Street paper facade model - Michelle Gartside Paper Facade Model 270 Castle Street model.png
270 Castle Street paper facade model
Added to Archive Thursday 24 February 2022
Last Updated Tuesday 27 January 2026
Location 52.512254331889174, -2.080680970500466
Type Collage Drawing Model
Themes Aesthetic Architecture Craft Creativity Making Material
What was/is/if What is
More tagged with type Model
Lichen as bioindicators Lichen Vs Carbon. These concept models look to document both the current state of Dudley Highstreet and the vision looking towards the future within this thesis project. The lichen covered model looks towards a future in Dudley that is rich in texture, colour, nature and oxygen. Natural materials promote natural growth, and textures such as rough sawn timber and stone are the prefect hosts for lichen. All new buildings in Dudley would benefit massively from following a fabric first approach and adopt the use of sustainable and recycled building materials along with systems that use minimal energy. The lichen model represents a vision for this thesis, buildings that are covered in natural materials and lichens that help sequester carbon and promote a healthier Highstreet. Suggestions of raised buildings also proposes less disruption to the ground and natural landscape, giving plants and animals the opportunity to thrive in an otherwise hostile concrete environment. Raised buildings also look towards a future planet with rising sea levels, future factors that will drastically affect the way we carry out daily lives and futureproofing all buildings for generations to come. This second model uses the Shou Sugi Ban method of charring timber to waterproof it. In this case however it represents the embodied carbon and pollution within the highstreet as it exists now. The simplicity and repetition is also used to symbolise the plain nature of the highstreet with only a few materials exhibited, mainly brick & concrete. Once burnt the timber forms were brushed with wire wool to reveal the natural grain of the wood, a visual representation of degradation of layers of buildings that are built poorly or not constructed to last longer than a generation. - Michelle Gartside Model 5.png
Fountain Arcade paper facade model - Michelle Gartside Paper Facade Model Fountain Arcade model.png
Looking to be the centrepiece of our exhibition, we proposed to create a site model of Dudley Highstreet at 1:200 scale with buildings modelled in a simple form. Local residents and visitors to the exhibition are then invited to decorate a chosen building to how they would envision it sat within the context of a greener Highstreet. We want to tie in our themes of biodiversity and materials by proposing that buildings can, and do, have the potential to be a lot healthier, sustainable, and interactive on the street. This site model also helps gain vital public opinions on the Highstreet and prompts discussion of areas most in need of attention. To ensure that the model is utilising the MDF to the most efficient standard possible. First, the centres of the massing blocks have been hollowed out. This allows a reduction in materials used as other buildings can be cut in the centres of the model. Then the top is finished with a solid piece. The waste material is placed into the recycling rack where other students can reuse it; otherwise, if the material left cannot be used for another project, it is recycled correctly by the university. The model spanned just over 3.4m long and over 50cm wide. With the majority being cut from scrap woods that would fit the jigsaw of the shape, we were able to drastically cut down on waste. We also got some small benches and bee hives printed from recycled plastics, and used dried flowers as trees to represent the green spaces. Ultimately, the model seemed like a huge success, and really helped portray our ideas about Dudley High Street to those who came by. Everyone from Dudley who saw the model knew that it was the High Street, and interacted well with it. The size did make it difficult to move, especially to carry to the site, but it sat nicely in the centre of the the room and really drew people in to interact with it. The model brought people in from outside to play with, write on, interact with. It became a spectacle for the public to come in and see what was happening and offer their ideas about what could be done. The event was a success. Many people from the public (those who heard about the event, and those who just happened across it on the day) came in to interact with the model, which sat as the centre piece in the room. Kids liked to play with the pieces while the adults talked about things that could come from actions to help the High Street, not just leave it as is. SOME OF THE KEY IDEAS WERE: - The Shops need to be inviting for everyone. It’s no good having these places to go if people would rather take a bus to the next town. - Just putting up boards across the windows is awful. Paint, Posters, Graffiti: Anything that actually makes the High Street look still alive is better than just wooden boards. - More Green is needed. While it is obvious that there is a lack of Trees, many people wanted to push for these small bushes or planting spaces that could easily be implemented across the street. - Spaces for public events or for people to at least gather at. While there is the Market and Fountain, it is not enough for the people of Dudley. - Something needs to be done about the cars on the High Street. Some were Pro-Removal of all Cars, while some just wanted to limit when they could access the High Street. Following the exhibition we created a series of drawings with our own interpretation of Sarah Wigglesworth ‘The Dining Table’ drawing. The drawings are a perfect representation of the our interactive model at the ERA Environmental Exhibition and Event. Showing the interaction the public had with the model, as well as the conversations that were held around the model. - Table 7.png
The meaning behind this gift is composed of three main foundations which are biodiversity, social and enclosure. The box represents the enclosed feeling of the surrounding buildings that you receive when walking down Dudley High Street. The ‘High Street’ gives the impression that the buildings are closing in on you, with very little open space around. The open element of the box is to create an airy space which is what Co-LAB Dudley is trying to achieve and make the atmosphere more sociable for the local people/ community. Therefore, attracting more people to the high street. Conducting research it is evident that the ‘High Street’ severely suffers from a lack of green space resulting in a lack of biodiversity across Dudley. Centrally, located within the box is a rose which resembles the biodiversity and the need for growth amongst the ‘High Street’. The white rose connotes the purity for the future of Dudley High Street and what it could become. - 1_sMdZMZUJNldAWFC5__XccQ.png
There is a clear presence representing Dudley with the bold red ‘Bostin’ sign at ground level. Chosen for its cantilever first and the second floor, this building could be adapted to have an external space. Also, there is a slight ‘hotel Fouquet barrière’ about the facade as its bricked-up windows represent change over time. - Ryan Cooksey Building 3 Photo.png
More tagged with theme Material
This visual represents Dudley High Street re-imagined; a new vision of a re-wilded, food-centric town centre. The green canopy will begin as a frame that will encourage the growth of plants. Smaller scale units will be integrated at the start and build towards the final vision. - 1_8oJ0eISAIDZ0uX4_VksliQ.png
High Street building materiality analysis - Matthew Hewitt Building Materiality 3.png
The fourth Stepping Stone project focused on the design of 2-in-1 flower pot seating for the exterior of the community kitchen. The design also integrates a canopy for growing herbs to also use in the kitchen. Through a collaboration with another Time Rebel collecting reusable waste, we thought about how this could be integrated into the materiality of this concept. The product analysis of this design is that it has a detachable seat to cater for a variety of arrangements. The flower pot can be raised to create a seating area, and lowered to be become a flower pot on the High Street. - 1_eeu2cuz-jiHMU4N8pGR51Q.png
This building has been chosen due to the clear retrofit it has already undergone. The building has two halves, a modern function on street level with roller shutter doors. These doors seem very out of place as they are not shy in hiding their presence. Then the top half is traditional stone and mortar with some elements of detailing around the windows. I wonder what the addition would look like with the zero- carbon material repair pallet. - Ryan Cooksey Building 2 Model 4.png
Infrastructure - cladding falling off? - 211110 1730 Decay.png
More tagged with theme Craft
Here's some stuff in a locked yard (that just happened to be open) down Wolverhampton Street. There are what look like two chapels in there. - IMG_7586.jpeg
A collage response to a Co.LAB gift for the High St - “It was nice to be able to use the image for something else. It made me think about placing the cut-out roadmap onto a slightly brighter future version, with colour, vibrancy and plantlife, so that it reminds me what we are heading towards, but still with a hark back to the people and the industry that made Dudley the town it is...” - 2656268F-99B4-47D8-8FF5-953A7068378B (1).jpg
The main structure would have various spaces such as the Museum space, possibly a place that people can pin up local activities, and maybe rooms for either changing or for performance practice. As the street is 11m wide on average, there is plenty of space to have the building fill the space. As the sunlight comes from mainly the south, the south side buildings often shadow the street entirely, which would mean that something being built (especially as it will be dug down a bit) would not shadow out the other buildings. The biggest hurdle to tackle is that the space shouldn’t not feel overwhelming to the other shops or those who walk down the pavement. Because of this, most of the building’s structure would be in the underneath area, and only parts of it would pop out over the pavement. As the design would be flush with the pavement, there are also opportunities to have crossing bridges that are both useful by the public, but also incorporated with the design of the new street. The back of the street would create a unique space for social activities. The space is wide enough and long enough for a performance theatre space to be erected there, but it also has the possibility of having some kind of altered shape to the area, like a raised platform that could house seating and other social activities. However, the space can also perfectly fit a fully regulated tennis court, badminton court, and volley ball court. People have mentioned that there is also a lack of sport engagement in the area, so this could be used to provide that kind of space. - Oscar Law Proposed design.png
Nurturing AgroEcology in Urban Life A strategy for living alongside food production A critical part of the climate crisis is the degradation of soil, leading to scientists predicting the UK has approximately 100 harvests left of stable crop production. As an attempt to address the problem this project will explore the possibility of integrating sustainable agriculture into an urban setting, reducing the strain on agricultural land, reducing food miles and widening city biodiversity. Taking guidance from the farming movement, ‘Agroecology,’ a climate conscious, wildlife supporting and community engaged closed loop system will be developed, combining traditional growing with technology driven techniques that will support each other to produce a diverse plate. Dudley High Street will be the focal point, reinvented as a destination not just for the purchase and consumption of food but also its creation, driven by the needs and engagement of local people. Connecting the community to the food they eat. - Annabel Linch 1.png
This building has been chosen due to the clear retrofit it has already undergone. The building has two halves, a modern function on street level with roller shutter doors. These doors seem very out of place as they are not shy in hiding their presence. Then the top half is traditional stone and mortar with some elements of detailing around the windows. I wonder what the addition would look like with the zero- carbon material repair pallet. - Ryan Cooksey Building 2 Model 4.png